metaphor
Ken Wiederhorn’s mostly forgotten 1977 film Shock Waves is an apt metaphor about the fear of a fascist planet.
Though grounded by a strong presence in the young Madison Wolfe, I Kill Giants is often too dreary to be truly engaging, and too under-realized to be an immersive escape into a fantastical world.
Colossal is unflinching in presenting the dangers of toxic masculinity and patterns of abuse in a way very few recent American films have been, lately or ever.