mental health
Michael Frank spoke with writer and director Adam Egypt Mortimer about the mental health, childhood and inspiration for his film Daniel Isn’t Real.
Though plot-wise Atypical is somewhat formulaic and uses many tropes from the drama/comedy genre, its utilization and handling of these make it a step up from many shows of the same variety.
Ed Perkins’ documentary Tell Me Who I Am is an experience that’s both remarkable and powerful.
The Dead Center is one of the more intriguing, effective indie thrillers as of recent memory.
In his first report from the San Diego International Film Festival, Tynan Yanaga covers The Irishman, Doing Money and Inside The Rain.
Jack Godwin takes a look at the portrayal of mental illness in anime film The End of Evangelion.
Where’d You Go, Bernadette feels remarkably lacking in passion from those involved, save Cate Blanchett.
At once a period piece and a coming-of-age odyssey wrapped around a bizarre narrative about an antiquated medical treatment, The Mountain is Alverson’s finest film.
What’s Eating Gilbert Grape is a story of deep familial relationships suggesting the importance of understanding the struggles of mental health.
Crisis Hotline is upsetting, but it vividly portrays how we can’t always control the outcome. Andrew Stover reviews.
Begging to be experienced, discussed, and remembered, Mosul follows a former CIA counter-terrorism officer documenting a journalist in war-torn Iraq.
Just Say Goodbye is a laudable strive to enlarge the implications and the all-inclusive consequences of suicide.
A film that is laced with pride and hope without the frilly details of any other sports film, The Grizzlies is all about grit, raw and tender moments of belonging and the strength to continue on.
Aside from a few misleading statements, the Suicide: The Ripple Effect is someone’s personal, real story and the journey of reclaiming his life.