medieval

CATHERINE CALLED BIRDY: What It Feels Like For A Girl
CATHERINE CALLED BIRDY: What It Feels Like For A Girl

A giddy glimpse at medieval girlhood that isn’t without substantial emotional weight, it is a fun film that the entire family can enjoy.

THE GREEN KNIGHT: A Journey That Travels At Its Own Pace
THE GREEN KNIGHT: A Journey That Travels At Its Own Pace

The Green Knight is an immersive, beautifully photographed if sometimes frustratingly structured fantasy adaptation.

CURSED Season One: A Bumpy Reimagining of an Old Tale
CURSED Season One: A Bumpy Reimagining of an Old Tale

While not a solid addition to the mystical stories of old, Cursed will keep viewers entertained while introducing a new generation to the stories of old.

"She Was The Protagonist, She Was The Lead And It Felt Organic." Interview with Director And Executive Producer Zetna Fuentes for CURSED
“She Was The Protagonist, She Was The Lead And It Felt Organic.” Interview with Director And Executive Producer Zetna Fuentes for CURSED

We spoke with director Zetna Fuentes about Netflix’s latest series Cursed, the retelling of a classic legend through the female perspective.

Interview With PILGRIMAGE Director Brendan Muldowney
Interview With PILGRIMAGE Director Brendan Muldowney

We were able to talk to Brendan Muldowney, director of the Irish medieval film Pilgrimage, starring Tom Holland.

PILGRIMAGE: A Menagerie Of Metaphor
PILGRIMAGE: A Menagerie Of Metaphor

Pilgrimage is rife with metaphors connecting the Dark Ages with contemporary issues, making us wonder if we’ve advanced as much as we think.

KING ARTHUR: LEGEND OF THE SWORD: Lads of the Round Table
KING ARTHUR: LEGEND OF THE SWORD: Lads Of The Round Table

Guy Ritchie has joyously updated King Arthur with the same distinctive style as his Sherlock Holmes movies. Purists may want to look away.

HARD TO BE A GOD: Hard For Some, Great For Others

Aleksei German once said “I am not interested in anything but the possibility of building a world, an entire civilization from scratch.” While “worldbuilding” has turned into a sort of buzz term, it’s fair to say that he did succeed in creating a meticulously detailed world that is as equally claustrophobic and terrifying as it is expansive and daunting. Aleksei German’s final film Hard to Be a God, an adaptation of Arkady and Boris Strugatsky’s novel of the same name, turned into a subject of curiosity given the thirteen-year production, dense source material and the death of the director before the film’s release.