Matteo Garrone
Matteo Garrone’s latest fantasy Pinocchio offers a more realistic portrayal of the classic tale that still incorporates some escapist fantasy elements
Dogman stands as a uniquely moving viewing experience, reinvigorating a film movement that otherwise might seem obsolete or outdated.
Matteo Garrone is arguably one of the most talented filmmakers working today. He is certainly,…
In our first report from Film Fest 919, Josh Martin recounts the nauseating absurdity of Dogman, memorably fascinating Destroyer and Cannes’ Palme d’Or Shoplifters.
For MIFF Week One, Alex Lines reviews several films he was able to see, including Agnieszka Smoczynska’s new film, Matteo Garrone’s Dogman, and more.
Nobody’s hiding how weird and grotesque Tale of Tales is going to be, and oh how delectable it looks. The adult fairy tale has become a well-used genre of late, and while most draw from the toned down Disney versions or the more bloody Grimm style, there’s a host of other sources out there for filmmakers to start from. Taking that less crowded route is Tale of Tales, which is based on a 17th century Neapolitan collection by Giambattista Basile.
Nowadays it’s fair to say “gangster films” are in a league of their own, no longer thought of as sub-genre of the action film. Thus freeing them to operate on an entirely new frequency in the model created by earlier classics such as The Godfather or Goodfellas. These movies are indeed classic but have you ever thought about organized crime outside of the United States?