Mark Wahlberg

THE UNION TRAILER 1

Mike is quickly thrust into the world of super spies when his high school ex-girlfriend Roxanne recruits him on a high-stakes US intelligence mission.

UNCHARTED Trailer
UNCHARTED Trailer

The story is a prequel to the games, starring Holland as a younger Drake, showing us details of how he came to meet and befriend Sully.

SPENSER CONFIDENTIAL: Wahlberg & Peter Berg's Mediocre Reunion
SPENSER CONFIDENTIAL: Wahlberg & Peter Berg’s Mediocre Reunion

Spenser Confidential feels generic, tonally confused, and most importantly, the product of a workmanlike filmmaker clearly out of his element.

INSTANT FAMILY: Delivers Laughs, Tears & Some Tonal Whiplash
INSTANT FAMILY: Delivers Laughs, Tears & Some Tonal Whiplash

Owing mostly to the funny duo of Mark Wahlberg and Rose Byrne, Instant Family somewhat succeeds, though its switch to full-out drama by the end is jarring, to say the least.

MILE 22: An Abysmal, Cacophonous, Incoherent Ride

Team WahlBerg’s latest effort Mile 22 is abysmal, wasting the talents of all parties involved for a schlocky, aggressive shoot ‘em up picture.

DADDY'S HOME 2: Full On Sappy, Empty On Charm
DADDY’S HOME 2: Full On Sappy, Empty On Charm

The heart of Daddy’s Home 2 is lost by formulaic tendencies and its overbearing insistence on being funny. It’s no future Christmas classic.

TRANSFORMERS: THE LAST KNIGHT: Step 1 In The Franchise's Transformation
TRANSFORMERS: THE LAST KNIGHT: Step 1 In The Franchise’s Transformation

Transformers: The Last Knight is a surprisingly engaging film for the franchise, bringing the series in an interesting direction storywise.

PATRIOTS DAY: Love Conquers Hate

Patriots Day is a memoir to the tragic events of the 2013 Boston Marathon Bombing, brought to screen both tactfully and honorably.

TED 2: It’s Exactly What You Think It Is

Ted 2 is exactly what you think it is. Seth MacFarlane is an entertainer who infuses all of his work with the same pop-culture heavy and juvenile abundant humour, from his roots in Family Guy to this, his third cinematic effort. The first Ted was a cinematic surprise, over-performing at the box office to become (at the time) the highest grossing R-Rated comedy of all time.