Mandy Patinkin
The Magician’s Elephant is heartwarming and pure, and while predictable to a fault, it is a film the whole family will enjoy.
After eight stellar seasons, Showtime’s Homeland has finally come to an end. Prisoners of War…
In The English Teacher, the penultimate episode, the team behind Homeland delivers a stellar story, weaving the various threads through the loom into a masterful tapestry.
“Designated Driver” was as compelling as any episode this season of Homeland, despite the flaws. But where do things go from here?
As we round the final base for the home stretch, these last three episodes promise to be as compelling and exciting as any Homeland has seen.
Threnody(s) gave us a moment to breathe in what has so far been a fast-paced season. It also brought the deaths of two long-lasting characters.
As Homeland’s “F**ker Shot Me” and the preceding episodes depict, the only thing “exceptional” about America is its hypocrisy.
Homeland brings the most quietly powerful episode so far this season, slowly moving up hill, hearts pounding as we anticipate the inevitable plunge.
As we continue to see the tapestry come together throughout the next several weeks, one fact is inescapable: we’re in for a hell of a ride.
Stakes are suddenly higher than they’ve ever been, in Homeland’s latest outing: “Chalk One Up”.
In an episode that somehow pulls at the reigns while simultaneously cracking the whip, Homeland viewers are pulled back and forth between compelling choices and questionable ones.
This episode of Homeland leaves us wondering if perhaps, the show may finally be coming to understand the responsibility in commenting on volatile real-world situations.
As has happened multiple times throughout Homeland’s season openers, we’re presented with what may be a bait and switch.
Dan Fogelman’s Life Itself has heart, but it’s ultimately too shallow in execution to support his grander ambitions.