Magnolia Pictures

Omni Loop: Trailer 1
OMNI LOOP: TRAILER 1

The “time loop” is a sci-fi cliché as old as the genre itself, but “Omni Loop” tries to put a new spin on the genre.

THE CONVERT: Powerful Māori Images in a Fair Period Drama

The Convert is a movie quaking with trauma and suffering.

THELMA: A Moving Intergenerational Action Film Starring June Squibb

The prevailing refrain of Thelma is how it supersedes expectations in all manner of ways.

BAD LUCK BANGING OR LOONY PORN: When Private Goes Public
BAD LUCK BANGING OR LOONY PORN: When Private Goes Public

With Bad Luck Banging or Loony Porn, director Radu Jude seeks to expose the hypocrisy inherent in those who find sex obscene.

A GLITCH IN THE MATRIX: Déjà Neu
A GLITCH IN THE MATRIX: Déjà Neu

A Glitch in the Matrix is an engrossing feature that looks and feels unlike anything else out there in any genre or style in filmmaking.

THE WHISTLERS: Labyrinthine Crime Saga Is Stoic, Efficient & Strangely Poignant
THE WHISTLERS: Labyrinthine Crime Saga Is Stoic, Efficient & Strangely Poignant

Pivoting from steely resolve to emotional profundity, the brilliant evolution in its final moments cements The Whistlers as an unconventionally thoughtful experience.

BUFFALOED: Swindles It’s Way To A Mostly Good Time
BUFFALOED: Swindles Its Way To A Mostly Good Time

The story isn’t particularly revelatory, but the idiosyncratic humor and Zoey Deutch make Buffaloed a fun film.

LITTLE JOE: Arthouse Genre Hybrid Fails To Compel
LITTLE JOE: Arthouse Genre Hybrid Fails To Compel

By establishing a web of interesting plot threads, and failing to engage with any of them in a memorable way, Little Joe ends up feeling like a severe missed opportunity.

The Tweaked Neorealism Of DOGMAN
The Tweaked Neorealism Of DOGMAN

Dogman stands as a uniquely moving viewing experience, reinvigorating a film movement that otherwise might seem obsolete or outdated.

ANIARA: A Beautiful Sci-Fi Epic Veered Off Course
ANIARA: A Beautiful Sci-Fi Epic That Veers Slightly Off Course

Aniara is a gorgeous sci-fi tale, that excels in worldbuilding and making the most of its budget. Brent Goldman reviews.

HAIL, SATAN?: Solipsistic Liberalism in the Age of Pence
HAIL, SATAN?: Solipsistic Liberalism In The Age Of Pence

Hail, Satan? neatly fits in with a series of recent documentaries that do little more than preach to the liberal choir.

BODY AT BRIGHTON ROCK: Over The Top, Laughably Campy, But Undoubtedly Fun
BODY AT BRIGHTON ROCK: Over The Top, Laughably Campy, But Undoubtedly Fun

Despite its many flaws and shortcomings, The Body At Brighton Rock is enjoyable when taken as a cheap comedy with some high tension moments.

THE QUAKE: Suffers From Sequelitis
THE QUAKE: Suffers From Sequelitis

The Quake repeats a lot of the same beats from The Wave, assuming it’ll be another sure-fire success – but it leads to a mild case of sequelitis.

DIVIDE AND CONQUER: THE STORY OF ROGER AILES: A Blunt Look At Today’s Politics
DIVIDE AND CONQUER: THE STORY OF ROGER AILES: A Blunt Look At Today’s Politics

The Story of Roger Ailes may be straightforward and a bit lacking in stylistic direction, but it’s a rather necessary look at one man’s life to help understand today’s politics.

THE LAST RACE is a Straight Winner
THE LAST RACE: A Straight Winner

The Last Race is a beautiful documentary that is, able to move between overtly stylized and ethnographic motifs while still remaining a unified piece.