Luxembourg
From Cannes Film Festival Wilson Kwong reviews Payal Kapadia’s Grand Prix winning All We Imagine as Light and Rúnar Rúnarsson’s When the Light Breaks.
Fans of Murakami’s inimitable style will be pleasantly amazed at how well Blind Willow, Sleeping Woman brings his magical world to life.
In our latest report from the 2022 Heartland International Film Festival, Emily Wheeler reviews Dear Zoe, Corsage, Close and Me Little Me!
Hinterland’s high concept is let down by a weak script that doesn’t make the most of the film’s intriguing setting and talented cast.
Amidst a sea of dull, insipid, even sadistic takes on the beautiful, suffering royal lady story we’ve seen, Corsage breaks like the sun through the clouds.
Ari Folman’s latest Where Is Anne Frank is a kaleidoscope of beautiful visuals and good intentions, even if some of them don’t exactly land.
In the long tradition of many Oscar submitted-films before it, its a shame to see Two of Us try to do too much.
Daryl MacDonald spoke with Tomm Moore and Ross Stewart to discuss the third in their unofficial Celtic folklore triptych: Wolfwalkers.
Those who bought tickets to see the woman-meets-ride romance won’t be disappointed but Jumbo has more on its mind.
In an era where hand-drawn animations are fewer and fewer, films like this one ought to be shouted from the rooftops and celebrated.