Lucas Hedges
A widowed New York socialite and her aimless son move to Paris after she spends the last of her husband’s inheritance.
A young man finds romance with a literary agent while taking a trip with the woman’s famous aunt and her friends.
French Exit is one of the most distinctive films of the year, delivering witty dialogue, nuanced performances and a resounding depiction of acceptance.
Honey Boy tells the story of a young actor’s stormy childhood and early adult years as he struggles to reconcile with his father and deal with his mental health.
Lady Bird is one of the best modern coming of age stories, but the greatness likely stems from the small scenes many audiences might miss.
Unfortunately, the ill-conceived story of Ben is Back does not shine light on the opiod crisis, creating a seedy, underground world that the uninitiated can never comprehend.
Boy Erased is a sturdy drama with some touching moments and strong performances, enhanced by much-needed glimpses of dramatic sensitivity within the confines of a tough story.
In a decade over-saturated with cheap nostalgia, it is a delight to see a film about the 90s that doesn’t try to be about the 90s; Mid90s tells a timeless story of self-discovery.
Lady Bird is an inspired coming-of-age story by first-time solo director Greta Gerwig, containing a plethora of dynamic performances to boot.