Luca Guadagnino
Follows three players who knew each other when they were teenagers as they compete in a tennis tournament to be the world-famous grand slam winner.
Maren, a young woman, learns how to survive on the margins of society.
We Are Who We Are thankfully delivers on what it promises in an immersive coming of age drama from one of the greatest filmmakers of our generation.
The objective of Luca Guadagnino’s experimental short The Staggering Girl is up for debate, which won’t be a problem for long-time admirers of the auteur’s style or share the same inherent love for high fashion.
We tap into fond memories of summer and feel-good vibes to come up with a list of some of the best summertime films of all time.
Darren Aronofsky’s Black Swan and Luca Guadagnino’s reimagining of Suspiria reinvigorate the very concept of body horror.
Our latest report from LFF includes a nice mix of crowd pleasers in-waiting, anticipated auteur efforts, and a slew of arthouse discoveries.
As a work of storytelling, Guadagnino’s reimagining of the canonical giallo is a boring mess with higher thematic aspirations than it’s able to realise.
Luca Guadagnino’s remake of Dario Argento’s Suspiria seeks to get under your skin, intimately and irreversibly – and succeeds in doing so.
In Guadagnino’s Suspiria, a darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
In a world full of soulless remakes, Luca Guadagnino’s Suspiria is one that has the potential to be fresh, exciting and unique.
Director Luca Guadagnino’s three previous films, including critical favourite Call Me By Your Name, couldn’t seem any more different from the outside. All three are linked by the theme of desire- but does that reverberate into a thematically coherent trilogy?
We report from BFI London Film Festivals with reviews of The Party, Loving Vincent, Brawl on Cell Block 99 and many more.