We spoke with Harry Greenberger about his directorial debut Staring At the Sun, the film’s festival run, and what he has planned next!
It’s undeniably flawed, but considering its mindbogglingly low £2,000 budget, The Bastard Sword is an impressive achievement.
The Sadist is a 1963 exploitation picture that lives in relative obscurity – but its technical ingenuity is begging to be rediscovered.
Anti Matter displays ingenious science fiction storytelling on a micro budget- but sadly, the film falls down a wormhole of its own making.
We shot Dead Certain in the French Alps during seventeen intense days in the winter of 2014. A post-epidemic thriller, we wanted the film to feel desolate and lonely. The quaint town of Monnetier-Mornex offered a perfect setting: