loss
Because the two seasons are about two very different ideas of death, these horror elements had to be presented in starkly different fashions.
Manara is a thoughtful and quietly powerful short film, and feels particularly timely, deserving to be a part of the conversation
Pet Sematary, in this critic’s opinion, is a constant battle between excessive production and exceptional performances.
Coupled with a brilliant script and outstanding performances by its two leaders, To Dust has already become a standout early on in 2019.
The Grief of Others examines how time can only heal wounds if we let it through intentionality and a sense of vulnerability that can be simultaneously scary and painful.
The House With A Clock In Its Walls has a sense of mischievous fun, with a hearty serving of chills and chuckles to overwhelm any shortcomings.
Boarding School follows in suit with the continued reinvigoration of the horror genre, breaking away from the cliché and introducing new scares.
While Snapshots is far from a perfect film, it made with such an admirable degree of earnestness, with so much feeling, that it is easy to overlook the flaws.
Liz and the Blue Bird is an indepth and stylistic chracter study that explores the details and hidden emotional gravity of seemingly unremarkable situations.
Diane Kruger carries In the Fade on her leather-clad shoulders and ensures that you’ll walk away from the film feeling absolutely rattled.
We spoke with Sean Meehan, director of short film Lost Face, based on a Jack London short story, set in frozen mid-1800’s Russian-America.
2016. A year that will live in infamy. A year shaken by unexpected celebrity deaths, an unnerving election cycle, and unsuspecting twists waiting around every corner.