London Film Festival
Witches starts off like a video essay. Writer, director, editor (and “star”) Elizabeth Sankey talks…
As in all his work, McQueen coaxes strong performances, with particular props to first-timers (at very different ages) Heffernan and Weller.
Director David Fincher returns with The Killer, a stylish thriller about an assassin played by Michael Fassbender.
In the latest report from LFF 2023, Paddy Wilson features vampires at Paul Mescal’s door and devils in David Dasmalchian’s studio – a divine combination if ever there was one.
The Bikeriders film evokes an interesting time and place in US history, in which Nichols’ ensemble cast take big swings – and get big enough hits.
Utama is a powerful, intimate work, and Grisi achieves a rare balancing act.
Featuring incredible performances all-around, and some of the best writing you’re going to see this year, The Banshees of Inisherin not one to miss.
While it might lose its way at times, ultimately, The Whale is a fascinating story anchored by an incredible performance from Brendan Fraser.
On some level, it feels like a cinematic equivalent of the anti-establishment political cartoons that were once so pervasive in cultural discourse.
The London Film Festival rolls on. Our latest review round-up covers stories of real life…
The London Film Festival is back for another year and our first despatch covers a military coup and, just maybe, one of the great scenes I’ve ever seen.
Strong performances, solid direction and a viscerally emotional story keep Next Sohee on the right side of melodrama.
Although it can feel a little bit by the numbers, Bull is lifted by the excellent performances and the unflinching violence which underscores its premise.
CJ Hunt’s The Neutral Ground explores the political opposition and the debate surrounding Confederate statues across the US.
In the final report from London Film Festival, Paddy Wilson and Faisal Al-Jadir review King Richard, Lamb, Little Palestine and Mothering Sunday.