live action remake
Dazzling and wondrous, The Little Mermaid makes a solid transition to become a part of Disney’s live-action world of remakes.
It’s a loyal, brave, and true re-telling of a Chinese ballad that was once successfully Westernized.
Dora and the Lost City of Gold is a lot of fun for the whole family, striking a delicate balance between making fun of the original and honoring the healthy lessons it wanted to share to kids.
For those looking for a film that both acts as a tribute to its roots while never straying from the course it’s set off on, see The Lion King with an open mind.
While Aladdin is a fairly harmless film, it adds very little to the original and seems like just another cash grab from Disney.
Dumbo is exhausted and erroneous, less concerned with a magical setting and more concerned with a macabre art-deco style.
Animated films often don’t work when translated to live-action; here, we discuss just why that may be, and why it should be avoided.
Choosing nostalgia over creativity, we explore the successes and pitfalls of Disney and their continuing trend of live-action remakes.
While not as perfect as the original, Beauty & the Beast is an elegant and magnificent display that true love for a film never dies.
If you’ve ever wondered why fantasy has always been a popular genre in fiction, it might help knowing that all fiction is a form of fantasy, and that stories are a type of self-preservation. Take Martin Scorsese’s wildly entertaining and greatly underappreciated Shutter Island, in which the main character, Teddy, is on a mission to prove he is innocent, only for the truth to reveal that he is anything but. As Teddy becomes fully aware, he finds out that he has created an elaborate fantasy, a hyper-fiction as a ruse to shield himself from the harsh reality.
Concerning remakes in modern cinematic environments, there is a strong dominance during recent years involving large companies and production studios to provide audiences with an extensive range of remakes and indistinguishable plots and storylines with the twist of live action appearances. Speculations regarding Disney in particular are most prominent in terms of feature film announcements, with approximately 16 possible films arriving in the future that focus on existing narratives and characters. There are different approaches to this that Disney are experimenting on, from remaking the same story faithfully, adapting a different spin to the classics or even creating long awaited sequels – such as Mary Poppins Returns, set for release Dec 2018.
Film is the art of light. Paradoxically, light is that is the ultimate source required for life to exist, and is the greatest substance to cause horrific calamities. Fire was both a blessing and a curse for ancient civilizations to understand and attempt to harness, but it was quite often their undoing.
Rejoice, all, for love and magic have been made real again and no longer confined to shallow movies that preach the wrong topics filled with two dimensional protagonists that do nothing but fulfill ageless and traditional characterizations. Cinderella manages to be the most refreshing new Disney movie out, by paradoxically undergoing the least transformation. Directed by Kenneth Branagh with the utilization of his perfectly suitable Shakespearean mastery, and supported by a cast of actors and actresses that look like they came straight out of the storybook, Cinderella is a delightful reiteration of the classic story that we’ve all grown to know.
Maleficent is the latest addition to the Disney legacy that tells the story of the 1959 animated classic Sleeping Beauty, but this time from the perspective of the story’s villain, Maleficent. Maleficent is played by Angelina Jolie and Princess Aurora, the Sleeping Beauty, is played by Elle Fanning. The movie also marks the directorial debut for visual effects producer Robert Stromberg.