Lionsgate
We take a look at the recent home video releases of The Leopard Man, and De Palma’s Domino and Obsession in this week’s Video Dispatches.
Despite enormous potential, Supervized misses the mark and makes fun of its subjects instead of making something memorable. Adam Mock reviews.
Heady problems My Days of Mercy’s characters through the wringer, but the clarity with which they are captured makes the difficult journey more poignant.
Long Shot is a tight, funny, and warm comedy with a ton of heart and two fantastic performances at its center.
With the most creative kills anywhere, a deeper mythology, and great additions to the cast, John Wick: Chapter 3 – Parabellum is even more deadly and enjoyable.
A rare superhero movie that highlights the ordinary alongside the extraordinary, Fast Color is a bold and breathtaking spin on the genre that deserves to be seen as widely as any movie released under the Marvel banner.
Hellboy is an unfortunate example of how a R-rated superhero film could go wrong. It’s violent, but to a fault, lacking humor, substance, or a compelling story to go along with it.
Red Joan is suffocatingly mediocre, a political thriller with no interest in the politics of the story, or anything remotely thrilling.
We Die Young has sporadic moments of action greatness, but feels overlong even with a brisk 90 minute runtime.
A Madea Family Funeral is a message we need to hear, but sadly, the Hallelujah’s don’t come until the credits.
The Kid, directed by Vincent D’Onofrio and written by Andrew Lanham, is a take on…
Fighting With My Family is a lovely little British gem and while it’s not perfect, Merchant shows admirable potential as a director.
Despite its eclectic performances, The Vanishing is a snail-paced buildup to real action and suspense that doesn’t have enough substance to give the narrative some weight.
Backtrace is too ridiculous and underwritten to be a full-fledged crime thriller and too self-serious to be an enjoyable B-movie.
While not quite as offensive as Gotti, Speed Kills is just as disposable, with Travolta yet again starring in an incompetent and unimaginative feature.