Lily James
DaCosta makes a promising debut with Little Woods, showing an ambitious thematic depth while keeping the story affectingly small.
In Yesterday, a a struggling musician realizes he’s the only person on Earth who can remember The Beatles.
The Guernsey Literary And Potato Peel Pie Society won’t shock or challenge you, but it will give you a sense of easygoing warmth.
Filled to the brim with a talented cast and with wonderful dance sequences, Mamma Mia! Here We Go Again is as lovely and vivacious as the original.
Little Woods, the debut film by Nia DaCosta, had its premiere at this years Tribeca…
With impeccable direction, engaging dialogue, consummate costume and makeup, and one of the best performances ever to grace the silver screen by Oldman, Darkest Hour is an overwhelming achievement.
Baby Driver is a joyous summer film, an indelible sugar rush that is further proof that Edgar Wright is the true saviour of popcorn cinema.
I love Pride & Prejudice and I will never tire of its adaptations and interpretations. I also really like zombie films. I am Pride & Prejudice & Zombies’ demographic.
Rejoice, all, for love and magic have been made real again and no longer confined to shallow movies that preach the wrong topics filled with two dimensional protagonists that do nothing but fulfill ageless and traditional characterizations. Cinderella manages to be the most refreshing new Disney movie out, by paradoxically undergoing the least transformation. Directed by Kenneth Branagh with the utilization of his perfectly suitable Shakespearean mastery, and supported by a cast of actors and actresses that look like they came straight out of the storybook, Cinderella is a delightful reiteration of the classic story that we’ve all grown to know.