Liam Neeson
The Ballad of Buster Scruggs is some of the Coens’ best work: the storytelling is so delicate and precise, like a beautiful poem squeezed of every superfluous word.
Cold Pursuit is a remake with a levitous twist on the usual Liam Neeson-avenges-his-family flick.
Widows is a thrilling, satisfying and breathtaking experience that toys with the conventions of the genre while bringing enough depth and surprises of its own.
Stephanie Archer reports on her time during Tribeca Film Festival 2018, and on her final day, recaps the Tribeca Retrospective Schindler’s List.
Amid the rubble that is The Commuter, there is an entertaining enough film to provide respite during the Winter blues, just don’t expect too much.
Martin Scorsese’s Silence begins with a dark, blank screen, with only the gentle humming of cicadas heard on all sides. It then immediately opens up to an overcast shot overlooking the banks of a river, where numerous people are being strung up and tortured. Such a peaceful moment undercut by extreme violence is very much an indication of what’s to come.