Liam Neeson
Film Inquiry spoke with star Liam Neeson for his newest film In the Land of Saints and Sinners.
Love Actually is as heartwarming as it is quotable – the experience of love and joy a permanent staple each and every year.
While there are dozens of memorable moments, the way the film makes Batman a genuinely interesting and complex character remains its lasting legacy.
Wanting to lead an honest life, a notorious bank robber (Liam Neeson) turns himself in, only to be double-crossed by two ruthless FBI agents.
Made in Italy is a fine film to cozy up to, as long as you can overlook the awkwardness and lack of narrative development it presents at times to audiences.
A London artist and his estranged son try to mend their relationship as they work together to repair a dilapidated house in Italy.
Ordinary Love’s minimalist approach to the narrative puts a lot of pressure on the performers, but fortunately, Manville, Neeson and Wilmot shine through at nearly every instance.
In the annals of cinema history, there have been few filmmakers that were talented, and…
Cold Pursuit is a rare English-language remake that actually works; a solid genre entry that knows what it wants to do, and does it damn well.
In Men In Black: International, the Men In Black tackle their biggest threat to date: a mole in the Men in Black organization.
The Ballad of Buster Scruggs is some of the Coens’ best work: the storytelling is so delicate and precise, like a beautiful poem squeezed of every superfluous word.
Cold Pursuit is a remake with a levitous twist on the usual Liam Neeson-avenges-his-family flick.
Widows is a thrilling, satisfying and breathtaking experience that toys with the conventions of the genre while bringing enough depth and surprises of its own.
Stephanie Archer reports on her time during Tribeca Film Festival 2018, and on her final day, recaps the Tribeca Retrospective Schindler’s List.
