LGBTQ+
Heavily reminiscent of Michael Haneke’s Funny Games, Chameleon boasts three great performances – but still leaves a sour aftertaste.
Call Me by Your Name shines for its potency and lyricism, delving with an effortless thrall into the lives of two men who are forever changed.
Ekaj captures the reality of LBGTQ youth that find themselves discarded by life. When their…
Princess Cyd is a low-key marvel; a warm-hearted examination of the ways that we relate to one another whilst dealing with our differences.
Mum is an incredibly moving and profound short film about a transgender woman reconnecting with her ailing mother.
No Dress Code Required is a politically charged but impressively intimate look at one gay couple’s fight for the right to marry.
Tom of Finland feels like two disparate films brought together, and only Pekka Strang’s strong performance saves it from being a total wash.
The Chilean drama A Fantastic Woman beautifully captures the story of a transgender woman, who is brought to exquisite life by Daniela Vega.
Chavela is a documentary that is an introduction to the legendary ranchera singer as well as a fond remembrance for those who knew her well.
Beach Rats may have a lot of superficial similarities with Moonlight, but director Eliza Hittman’s film is a triumph in its own right.
God’s Own Country, a unique coming out story, is an amazing directorial debut for Francis Lee despite some minor, forgivable missteps.
Ying & Yang is empowering and heartbreaking, giving a window into the messed up mind of a man deciding his own fate.
Home is an unapologetic look at the limited options available for Kosovo women and the oppression of its patriarchy.
Something Like Summer is an odd yet mostly satisfying mix of good and bad, with wasted moments but also bright themes that shine through.
Pariah is essential in the African American LGBTQ artistic and cinematic canon, as well as an achievement in cinematic storytelling.