LGBTQ+
Queerly Ever After is a bi-monthly column where I take a look at LGBT+ films…
Regarding Billy is the kind of movie you watch if you enjoy formulaic holiday films, but you’d like your Hallmark cheese with a dash of gay.
Our final report from 31st Annual New York LGBTQ Film Festival with reviews of A Night at Switch n’ Play, Brief Story from the Green Planet, Scream, Queen! My Nightmare on Elm Street & Tu Me Manques.
Boys takes a well-worn story of self-acceptance and turns it into a beautiful piece of internal struggle.
Andrew Stover looks at three films from NewFest LGBTQ -festival in his latest report; Bit, Straight Up and And Then We Danced.
An insufferable venture that completely misses the mark, despite the strong material, Vita & Virginia is nothing short of a disaster.
In his second report from New York’s NewFest LGBTQ, Andrew Stover reviews Cubby, Last Ferry and Second Star on the Right.
In his first report from the New York LGBTQ Film Festival, Andrew Stover reviews Sell By, Tremors and One Taxi Ride.
Back Soon is certainly an enjoyable bad movie, but for any bold statements on sexual fluidity you’re better off watching something else.
From October 4th to 6th, inside Melbourne’s wonderful Cinema Nova, the inaugural MQFF eXtra took place, highlighting some of the best LGBTQ films from around the world.
Je T’Aime Moi Non Plus is another fitting example of what made Serge Gainsbourg such a unique and, yes, controversial talent.
In this week’s Queerly Ever After, Amanda Jane Stern considers the 1997 film All Over Me, a coming-of-age story about the relationship between two girls.
The Melbourne Queer Film Festival (MQFF) is the largest queer film fest in the Southern…
Potrait of a Lady on Fire builds to an awe-inspiring, pulsating crescendo that leaves the audience’s collective heart thudding.
Sometimes, a movie is so bad it’s just bad, such is the case with 2011’s The Love Patient, a movie so offensively, irredeemably bad it’s hard to sit through.