LGBTQ+
The director (Yeung) and cast of Suk Suk (Tai Bo, Ben Yuen, Patra Au) sat down with Film Inquiry to talk about the film when it was shown at the Berlin International Film Festival.
Despite being marred down by the Sherry Pie scandal, episode two of Rupaul’s Drag Race season 12 was a good one.
Romeos gets points for being one of the few films out there about a trans-man who gets a happy ending, but it is mired in unlikable characters who run the gamut of stereotypes.
Despite the constant need to recycle old challenges, the premiere of RuPaul’s Drag Race season twelve was a strong way to kick off the new season!
Shelter is the kind of film you watch when you want something that is wholesome, but not chaste, that will end happy.
For a movie like And Then We Danced, so steeped in the traditional culture of Georgian dance, to embrace its taboo subject matter is defiance, artistically rendered.
Jojo Rabbit is a movie that delivers on its promise of humor, yet it leaves a thought provoking imagery that speaks to the true prowess of the message behind the satire.
Showtime answered the pleas of many – the return of Alice, Bette, and Shane alongside new, engaging characters graced the small screens in the sequel, The L Word: Generation Q.
Amanda Jane Stern investigates whether there is actually truth behind the “based on a true story” gay spy film, Happy Endings Sleepover.
A Danish gay spy thriller? That is based on a real life story? Amanda Jane Stern starts off her investigation into the truth of this story with a review of the film.
Amanda Jane Stern compiles a list of her top ten favorite LGBTQ+ films of the 2010s. Is your favorite on the list?
Film Inquiry spoke with director Flavio Alves about The Garden Left Behind, the sociopolitical implications of the story, the significance of his creative and casting decisions, and the universality of the narrative.
Make The Yuletide Gay is a light, fluffy holiday movie that makes you happy, which is exactly what you want when watching this kind of film.
Queerly Ever After is a bi-monthly column where I take a look at LGBT+ films…