LGBTQ Cinema
Femme is both mean and tender, displaying how sexuality and secrets can keep ones real self in violent confrontation with one’s masked self.
Film Inquiry spoke to Trevor Anderson about everything from incorporating camcorde transitions to what he hopes audiences take away from the film.
“Princess Cyd” is superbly shot, written and acted, with a relaxing slice-of-life approach to its story that makes it a delight every time.
While Blue is the Warmest Color was universally lauded, the film drew controversy over its graphic sex scenes and intense directorial methods.
While thus far, I have delivered my thoughts in the showcases, in my last report, there’s a little bit of everything.
A cathartically devastating film, Our Son reaches deep into the wells of emotion.
Bad Things struggles with its interactions, yet excels in its horror.
Strange Way of Life could fulfill all the clichés of the genre, with gunslingers, ranches, and a sheriff, but with a completely different angle.
There’s no arguing about how incredibly, wildly, and gleefully gay Jackass is.
With extremely long scenes, flat lighting, and a meandering story all come together to create this dull, Best Day Ever is a tired movie.
Big Eden could have been a really cute romantic movie, but it gets hampered down and suffers from its own clunkiness.
In the long tradition of many Oscar submitted-films before it, its a shame to see Two of Us try to do too much.
The story of Rudolph is a celebration of the outcasts, yes, but what makes it gay?
In the latest Queerly Ever After, Amanda Jane Stern looks at the lack of driving plot in From Beginning to End and the story that could have been.
Nils Bokamp’s You & I follows two men on a road trip, whose friendship is brimming with unresolved sexual and romantic tension