LGBTQ characters
Femme is both mean and tender, displaying how sexuality and secrets can keep ones real self in violent confrontation with one’s masked self.
Film Inquiry spoke to Trevor Anderson about everything from incorporating camcorde transitions to what he hopes audiences take away from the film.
Bottoms is like a walk-through tour of a museum for high school comedies. It’s familiar, and nothing but fun.
While Blue is the Warmest Color was universally lauded, the film drew controversy over its graphic sex scenes and intense directorial methods.
A cathartically devastating film, Our Son reaches deep into the wells of emotion.
Bad Things struggles with its interactions, yet excels in its horror.
Queerly Ever After #60 focuses on Baldvin Zophoníasson’s Icelandic film Jitters, a teen drama filled with first crushes and tragic events.
With extremely long scenes, flat lighting, and a meandering story all come together to create this dull, Best Day Ever is a tired movie.
Big Eden could have been a really cute romantic movie, but it gets hampered down and suffers from its own clunkiness.
In the long tradition of many Oscar submitted-films before it, its a shame to see Two of Us try to do too much.
The story of Rudolph is a celebration of the outcasts, yes, but what makes it gay?
In the latest Queerly Ever After, Amanda Jane Stern looks at the lack of driving plot in From Beginning to End and the story that could have been.
Nils Bokamp’s You & I follows two men on a road trip, whose friendship is brimming with unresolved sexual and romantic tension
In this week’s Queerly Ever After, we take a look at The Falls Trilogy, which examines the relationship of two men in the Mormon Church.
If you’re feeling nostalgic for early oughts movies like She’s All That, then Latter Days from C. Jay Cox is for you.