Leslie Odom Jr.
Believer wields the Exorcist saga poorly by vomiting so much at the screen and leaving little more than a mess of themes and characters.
Sequel to the 1973 film about a 12-year-old girl who is possessed by a mysterious demonic entity, forcing her mother to seek the help of two priests.
Without Gandolfini, without any sort of revelation, we’re left with a movie that sort of resembles The Sopranos but feels more like a cheap knock off.
Nick and Janine live in marital bliss until Janine’s ex-husband warps time to try to tear them apart.
The Many Saints of Newark, a prequel film to The Sopranos, never quite reaches the heights of its television show predecessor.
Music is just another piece of the puzzle in forming the gross picture of ableism, placed with good intentions or lack of insight.
Cassius Clay, Jim Brown, Sam Cooke and Malcom X join and discuss the responsibility of being successful black men during the civil rights movement.
A perfectly timed film that corresponds intimately to the social issues we are living through, One Night In Miami is one to watch.
Harriet is a formulaic biopic that doesn’t take any creatively clever leaps to ensure this biopic deserves to be associated with the historical significance of Harriet Tubman.
Based on the story of iconic freedom fighter Harriet Tubman, her escape from slavery and subsequent missions to free dozens of slaves through the Underground Railroad in the face of growing pre-Civil War adversity.
The idea of a future where women are valued only for their ability to repopulate doesn’t seem far-fetched today, giving Only an undercurrent of terror.