Léa Seydoux
The Beast is about a man beset with loneliness and fears of a fatalistic event likened to an unseen beast haunting him.
While Blue is the Warmest Color was universally lauded, the film drew controversy over its graphic sex scenes and intense directorial methods.
It confounds and reverberates; The Lobster sings a singularly eccentric tune.
In Crimes of the Future, the horrors and beauty of the human anatomy, both inside and out, are a work of grotesque art and performance.
A deep dive into the not-so-distant future in which humankind is learning to adapt to its synthetic surroundings.
This was inevitable. When I originally concluded this column, nearly six months ago (coinciding with…
While Dumont’s France seems more interested in piling dramatic events on top of dramatic events, Seydoux is never less than masterful.
No Time To Die is an absolute triumph, not just as a thrilling conclusion to Daniel Craig’s era of Bond, but as one of the best in the series.
In the final entry of the No Time To Die Countdown, Jake Tropila takes a look back at Spectre, the fourth Bond film starring Daniel Craig.
With an eclectic cast and unique form of storytelling, The French Dispatch is one of the most light hearted ventures of the year.
Stephanie Archer reports from New York Film Festival with reviews of French films Zombi Child and Oh Mercy!
Kursk is an emotional drama based on real events. Thomas Vinterberg shines a light on the tragedy from within the sea and from the land.
Zoe’s detriment is not necessarily any of its individual parts – it’s that they don’t quite add up to anything more impactful or memorable.
We’ve seen Bond undergo a lot of changes for over fifty years: the globe-trotting playboy whose license to kill spared no evil doer or anonymous henchman. James Bond, the catalyst of Ian Fleming’s romanticized panorama of espionage, grew from fiction novels to a film series that would become a cinematic phenomenon spanning over fifty years.