Laura Harring
In this installment of Take Two, Robb Sheppard reconsiders David Lynch’s Mulholland Drive after a less-than-satisfying first viewing.
Sure, we’ve all heard the rumours: topping the critics’ pick of the flicks for this century, hell, this millennium so far, is David Lynch’s Mulholland Drive. But what exactly happened up in the darkness of those famous hills, on those enticing yet savage switchbacks?