Kyle Chandler
A lone scientist in the Arctic races to contact a crew of astronauts returning home to a mysterious global catastrophe.
Godzilla: King of the Monsters, from start to finish, is evidence that Dougherty loves Godzilla, but the action staged on-screen is far from perfect.
There has never been a film that so thoroughly captures the excitement and danger of space travel as First Man, capturing that intoxicating mix of euphoria and terror of the 1969 Apollo 11 Moon landing.
Godzilla: King of the Monsters is the next chapter in the cinematic MonsterVerse, which pits Godzilla against some of the most popular monsters in pop culture history.
Game Night is a visually memorable comedy, standing out by masterfully blending the absurdity of its comedy and the realistic problems of its central characters.
Manchester by the Sea is a subtle, nuanced story of loss and grief, brought to life through restrained direction and powerful performances.
Most directors have a recognisable style that characterises their movies, giving them a distinctive visual stamp that claims it as wholly theirs. Todd Haynes is an unusual director in that his style differs from movie to movie, fully committing to replicating different genres and bygone fashions to the extent that he has no distinctive visual style that claims any movie as distinctively his. With Carol, he has made a period drama not entirely dissimilar from his early film, 2002’s Far From Heaven.