Katherine Waterston
In the American East Coast frontier, two neighboring couples battle hardship and isolation, challenging them both physically and psychologically.
The Current War admirably attempts to be something bigger than it ultimately is, with its A-list cast and interesting-but-misfiring style.
As a narrative dive into the complexities of grief, State Like Sleep grazes the surface but doesn’t commit.
The Crimes of Grindelwald introduces us to a plethora of new characters, attempts to do too much with them, and then, unfortunately, overly relies on the nostalgic factor of the original films.