Karl Glusman
Noé’s split-screen theatrics allows for double the amount of decision-making, double the choreography, and the narrative trickery in Lux Æterna & Vortex.
As a serial killer stalks the city, a young actress who just moved to town with her boyfriend notices a mysterious stranger watching her.
Wounds is a work of unyielding dread – one of those misunderstood gems that comes along every so often, catching you off-guard with its skin-crawling concept and arcane atmosphere.