Judi Dench
Belfast is a film that will creep into the recesses of your mind, its upbeat music and deeply rooted examination of family and the journey unforgettable.
While Six Minutes to Midnight does tell a story about life on the cusp of World War II, it still doesn’t stand out.
In this Away From the Hype, Sean Fallon takes a look back at last year’s Cats.
Unlikely to convert any new fans to the series and even less likely to please old ones, Artemis Fowl is a passionless adaptation.
We live in a divided society, and the only thing that can bring humanity together is watching (and laughing at) Tom Hooper’s feline romp.
A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.
Red Joan is suffocatingly mediocre, a political thriller with no interest in the politics of the story, or anything remotely thrilling.
All Is True fails to really justify itself: it’s a patchwork of ideas that never really coalesces confidently.
Tea With The Dames is a charming documentary, offering the once in a lifetime chance to spend ninety minutes in the company of four iconic actresses.
Though containing some elegant set design and impressive cinematography, Murder on the Orient Express can’t quite intrigue you to the potential that it could’ve, due to underdeveloped characters and an anticlimactic final reveal.
Prepare to be utterly charmed by Stephen Frears’ Victoria & Abdul, a warm, twee film that gives movies for senior audiences a good name.
I have to admit, I was a little excited to see that a sequel had been made to The Best Exotic Marigold Hotel. I had liked it and was curious as to what had happened to the characters. But what is more, I went to see the first film with my grandmother and I knew how much she and her friends liked it.