Jude Law
In the New Republic era, a group of kids lost in the Star Wars galaxy desperately try to find their way home in Skeleton Crew.
A live-action adaptation of the classic tale of a boy who wouldn’t grow up and the enchanted Neverland island.
The Rhythm Section has some enjoyable elements, but in the end, this mostly formulaic flick isn’t the female-driven spy thriller we’ve been looking for.
In The Rhythm Section, a woman seeks revenge against those who orchestrated a plane crash that killed her family.
The Holiday is expertly crafted wish fulfillment of the highest level, exhibiting the very best of what can be gleaned from such an unabashedly feel-good genre.
The Crimes of Grindelwald introduces us to a plethora of new characters, attempts to do too much with them, and then, unfortunately, overly relies on the nostalgic factor of the original films.
In Vox Lux, an unusual set of circumstances brings unexpected success to a pop star.
Vox Lux is a weighty experience guaranteed to take a toll on viewers, both from its philosophical musings and its uncompromising look at 21st century violence.
In our latest profile, we examiner the career of Jude Law, gazing into two decades of performances from the beloved actor.
Guy Ritchie has joyously updated King Arthur with the same distinctive style as his Sherlock Holmes movies. Purists may want to look away.
Like many people, I was a great fan of Bridesmaids and The Heat, so it was likely that the newest film to pair Paul Feig and Melissa McCarthy would be right up my alley. Likely, but even I had my doubts over Spy. A spy comedy?
Side Effects is a movie about the business of psychiatric medications, fraud, insanity and the failure of the criminal justice system. It’s a complex movie with many plots and twists, and is captivating from start to end. From a very creepy, melancholic opening, we are taken three months earlier into the story.