Joss Whedon
In the end, Firefly is full of not only wit, style and imagination, but a burning compassion for its characters, along with their individual differences.
Welcome back to the scariest, and at times goriest, column here at Film Inquiry: Horrific Inquiry.…
The MCU is undoubtedly a success, both with fans and critics alike, yet there is one major flaw running through many of them: a rushed pace and overblown action.
Kenneth Branagh and Joss Whedon have each put their unique stamp on Shakespeare’s classic Much Ado About Nothing, and both are essential to the canon.
Zac Hestand takes a look back at the comic movie classic Batman Returns and how its overload of villains spawned an industry standard.
Justice League has its flaws, but is outweighed by its superb direction, decent dialogue and the bonding of its heroes throughout.
“The horror genre gets (us) in touch with our primal instincts as a people more than any other genre I can think of. It gives (us) this chance to … reflect on who we are and look at the … uglier side that we don’t always look at, and have fun with that very thing.” —Drew Goddard (IMDb) I may be a little late to the party (by about four or five years) but for those of you who have not yet seen Drew Goddard (writer and director) and Joss Whedon’s (writer and producer) The Cabin In The Woods be forewarned, this article contains spoilers.
When I think back to Avengers: Age of Ultron, the best thing I can compare it to is a multi-layered Impressionist painting. From up close, it often looks and feels like an over-stuffed mess, as if director Joss Whedon was trying to cram as much as possible into his 2 hour and 20 minute timeframe.