Jon Bernthal
Origin is an incredible, and powerful, insight into a theory of human behaviour that is both fascinating and troubling.
Without Gandolfini, without any sort of revelation, we’re left with a movie that sort of resembles The Sopranos but feels more like a cheap knock off.
A woman is released from prison after serving a sentence for a violent crime and re-enters a society that refuses to forgive her past.
A roadie travels across North America with a punk band during the 1980s.
We look back at David Ayer’s 2014 war film Fury, and the deeper themes of anger mixed with sadness expressed throughout.
Come for the car races in Ford v Ferrari, and some fine performances by Matt Damon and Christian Bale, but don’t expect to take too much away from it.
Sweet Virginia is a gripping, atmospheric movie, with stellar acting and a characterful script who’s only fault is it is not long enough.
Pilgrimage is rife with metaphors connecting the Dark Ages with contemporary issues, making us wonder if we’ve advanced as much as we think.
When Pilgrimage learns what kind of film it’s trying to be, it’ll give you everything you’ve wanted from it – and maybe more.
Baby Driver is a joyous summer film, an indelible sugar rush that is further proof that Edgar Wright is the true saviour of popcorn cinema.
SHOT CALLER: A Terrifyingly Accurate Castigation Of White Supremacy
What Shot Caller lacks for, narratively, it makes up for in its complex character study guised as a prison drama, expertly exposing human nature’s animalism.