Joel Coen

BELFASIn 2021, The World Is Back To Black And WhiteT Trailer
In 2021, The World Is Back To Black And White

This year, over a dozen films, sidestepped color in favor of black and white and many are vying for major awards this season.

THE TRAGEDY OF MACBETH: Joel Coen's Striking Solo Debut
THE TRAGEDY OF MACBETH: Joel Coen’s Striking Solo Debut

Out of the countless productions of The Scottish Play that exist, Coen definitely brings something new to the table.

NYFF 2021: THE TRAGEDY OF MACBETH: A Wicked Reimagining
NYFF 2021: THE TRAGEDY OF MACBETH: A Wicked Reimagining

Elevated by excellent performances, minimalist interpretation of the visuals, and sound design that is larger than life, The Tragedy of Macbeth soars.

THE BALLAD OF BUSTER SCRUGGS Trailer
THE BALLAD OF BUSTER SCRUGGS Trailer

The Ballad of Buster Scruggs is the Coen Brothers’ latest, an anthology western following six different storylines centering on a man named Buster Scruggs.

SUBURBICON: Fake Smiles & Stale Cookies Doesn't Always Win You Over
SUBURBICON: Fake Smiles & Stale Cookies Doesn’t Always Win You Over

Suburbicon is a somewhat effective thriller that unfortunately squanders its potential at being a deeper film about racial tension.

SUBURBICON: On The Inherent Violence Of The American Suburb
SUBURBICON: On The Inherent Violence Of The American Suburb

Despite some flaws, Suburbicon is still a riot of a good time, poking fun at the inherent obscurity of the American Dream in a unique way.

Noah Hawley's FARGO & The Gospel Of The Coen Brothers
Noah Hawley’s FARGO & The Gospel Of The Coen Brothers

Taking direct inspiration from the Coen brothers’ films, Noah Hawley’s Fargo is an exemplary summation of their absurdist philosophy.

hail, caesar
HAIL, CAESAR!: The Coens Just Want To Have Fun

The Coen Brothers have managed to put their own twist on noir, the buddy comedy, crime drama, romantic comedies, westerns, and spy films. They are clearly film historians, so they want to show their love of movies by tackling classic genre films that cannot be sold to modern audiences. How did they manage to do this?