Jessie Buckley
Unfortunately, Men starts as a very strong and legitimately scary exploration of heady issues but unravels in the final third act.
A young woman goes on a solo vacation to the English countryside after the death of her ex-husband. vacation gone wrong.
A woman’s beach vacation takes a dark turn when she begins to confront the troubles of her past.
Even when things get very strange, Charlie Kaufman’s I’m Thinking of Ending Things will always find a way to hook you in and never let go.
Full of misgivings, a young woman travels with her new boyfriend to his parents’ secluded farm. Upon arriving, she comes to question everything she thought she knew about him, and herself.
Idealism can be a tough sell, but Ironbark sells the hell out of it nevertheless, remaining firmly committed to its compassion for individuals caught up in the iron grip of history.
With Renée Zellweger giving a career best performance, Judy is a simple but moving film, celebrating an icon.
Legendary performer Judy Garland arrives in London in the winter of 1968 to perform a series of sold-out concerts.
Chernobyl has haunted and disturbed viewers with visual elements and direct faults of man so far, the fourth episode yet is the hardest of them all.
The third episode of Chernobyl leaves you helpless with this ghoulish and grisly wave of inevitably, but you can’t for the life of you take your eyes away from it all.
Chernobyl achieves each and every goal, setting out to conceive something that in the forthcoming weeks could turn into something possibly quite special.
Jessie Buckley is a star, and the fact she makes Wild Rose almost worth watching is testament to her skill as an actress.
Beast is a gritty psychological-mystery with a brilliantly dark, pulsating and atmospheric heart, with an exceptional lead performance from Jessie Buckley. Michael Pearce delivers a brilliantly assured and confident feature-length directorial debut.