Jean-Luc Godard
A Woman is a Woman has never looked or sounded better—but Karina’s effervescent charm remains the film’s most valuable asset.
Despite its flaws, Six in Paris should fascinate fans of the French New Wave—or, really, fans of anything French at all.
For the second Inquiring Minds we tackle the 1965 Jean-Luc Godard sci-fi noir feature, Alphaville.
Well, like so many of these director anthologies, Six from Paris suffers from the flippant transparency that’s all too common with this informal subgenre.
This week, we take a look at the recent Blu-Ray releases of Godard’s Le Petit Soldat (1963), Jarmusch’ The Limits of Control (2009) and Haynes’ Dark Waters (2019).
In this first report from NYFF, we delve into Jean-Luc Godard’s latest film and an experimental feature from Ming-liang Tsai.
Our latest reviews from Toronto International Film Festival, including Joel Edgerton’s Boy Erased, Ben Is Back, Jean-Luc Godard’s latest, and more.
Film Inquiry’s Alex Lines has left MIFF 2018 – his final report includes some of the best (and two of the worst) films he saw.
Reporting from Cannes Film Festival, Gus Edgar reviews Eva Husson’s Girls of the Sun, Jean-Luc Godard’s The Image Book, and more.
Redoutable is an irreverent take on the biopic that gleefully flips the bird at its subject, and takes delight in making him conform to a conventional narrative of the type he grew to detest leading to some of the finest moments of cringe comedy in recent memory.
They were at the top of their game. They had it all: the fame, the positive critics, a status amongst the greatest filmmakers of all time, and the power to make any film they wished.