Jason Sudeikis
Sleeping With Other People aptly captures humor while offering a generous dose of heartfelt moments.
Driven is a film that, despite a unique structure and talented cast, doesn’t feel as inventive as it sets out to be.
Confused about its target audience, Angry Birds 2 fails to deliver the jokes or storyline bringing lttle more than a playlist and a star studded cast.
In Booksmart, two academic superstars and best friends realize they should have worked less and played more so they try to cram four years of fun into one night.
Just when I thought coming-of-age fatigue is about to kick in, Booksmart overwhelms with its confident energy and wisdom.
Appropriately and beautifully shot on 35mm celluloid by Raso, Kodachrome is a touching, hilarious, and contemplative gem of a film with three wildly meritorious performances by Harris, Sudeikis, and Olsen, and timely themes.
Alex Arabian spoke with Jason Sudeikis on the red carpet of upcoming Netflix film Kodachrome at San Francisco International Film Festival, about working with Ed Harris, Elizabeth Olson and director Mark Raso.
Permission manages to explore the intricacies of open relationships in a non-judgemental way, portraying a realistic relationship as far from classic romcom tropes as you could imagine.
Colossal is a fantasy-oriented film about a kaiju monster that somehow manages to be both emotionally effective and profound.
We currently live in an age where the classic rom-com has become taboo. Jerry Maguire and When Harry Met Sally have been traded out for Trainwreck and now Sleeping with Other People. The problem with this new modern movement is that the emotional heart of the original 80s and 90s films are mostly lost.
It seems to happen far too often: A new, original comedy premieres, to mostly good reviews, and so the studio decides to seize on the original’s success and create a sequel. And the sequel is not nearly as good as the first.