Jason Clarke
Although Helen Mirren’s performance as Catherine the Great is good, the miniseries itself was a chore to finish despite weighing in at only four hours.
The latest adaptation of Stephen King’s Pet Sematary has some interesting new ideas, but it never quite reaches liftoff.
Pet Sematary, in this critic’s opinion, is a constant battle between excessive production and exceptional performances.
While groundbreaking or original, The Aftermath is worth seeing for the enticing performances and striking ambience that it establishes.
Serenity is a little bit genius, a little bit of a mess, but at the very least it is something interesting, and it commits to itself and its choices.
In The Aftermath, a British colonel and his wife are assigned to live in Hamburg during the post-war reconstruction, but tensions arise with the German who previously owned the house.
There has never been a film that so thoroughly captures the excitement and danger of space travel as First Man, capturing that intoxicating mix of euphoria and terror of the 1969 Apollo 11 Moon landing.
To watch Chappaquiddick and then ponder the life of Ted Kennedy in such a manner undoubtedly must lead to introspection.
The Spierig Brothers’ latest “based on a true story” horror movie Winchester is a cinematic checklist of every dreadful ‘haunted house’ cliche, every formulaic competent that’s been implemented by other, better genre entries.
Mudbound is a gorgeous and affecting film, regarding themes of racism and the after effects of war in 1950s Mississippi.
A few years ago, I heard about two films going in to production, both on the subject of Mount Everest. The biopic of Mallory fell by the wayside and is still languishing in pre-production. However, the other soared, for about a moment.