Jason Bateman
It proves once again that it knows how to utilize some of the most intelligent and hilarious comedians working in Hollywood.
In Ozark season 3, the direction, writing, performances and tense, foreboding atmosphere continue to be stellar and highly immersive while these characters continue to grow and evolve for the show’s betterment.
For a series that prospered on a measured pace and ambiguity, The Outsider continues to leave viewers in the dark, even during the grand finale.
Before the season ends, The Outsider has to deliver a reasonably satisfying conclusion that’ll at least gratify those viewers who stuck with the series.
Last week, Holly Gibney (Cynthia Erivo) was in jeopardy, Ralph (Ben Mendelsohn) was really trying…
With only three episodes left in HBO’s slow-burn mystery-horror series, anything can happen at this point.
Episode 6 of The Outsider is a step in the right direction, the intoxicating dread and craft continue to permeate the show’s structure.
At the end of last week’s two-part premiere, the body count was astounding. We lost…
With no monsters to summon, The Outsider is not your ordinary Stephen King adaptation, death and faulty humans the true focus. Don’t be left out of HBO’s latest obsession.
Ozark’s sophomore season lives up to both critic and viewer expectations with a complex web of storylines and characters intricately placed to be the visual chess board TV has been waiting for.
With the Emmys just a few short weeks away, the Film Inquiry team argues why each of the Emmy Acting Nominees should win the coveted award.
Game Night is a visually memorable comedy, standing out by masterfully blending the absurdity of its comedy and the realistic problems of its central characters.
Office Christmas Party is a glaringly unfunny R-rated comedy, which isn’t even saved by the talented crew in front of and behind the camera.
What happens when two performance artists grow up, get married and have kids? Their kids become part of their art, of course. This is the story of Caleb and Camille and their two children whom they affectionately dubbed “Child A” (Annie) and “Child B” (Baxter).
Quirky family dramas are a dime a dozen, so in addition to handling complex relationships and a mixed tone, they must do something to distinguish themselves from the pack. Some projects respond by amping up the quirk while others go for a big emotional payoff. The best manage to do both, which is precisely what people praised the best-selling book that The Family Fang is based on (same name) for doing.