Jamie Lee Curtis
Pamela Anderson stars as an aging Las Vegas showgirl at a crossroads, after her acclaimed 30-year-show finally completes its run.
The first 90 minutes of David Gordon Green’s Halloween Ends easily outweigh most of the films that have come before it.
The saga of Michael Myers and Laurie Strode comes to a spine-chilling climax in this final installment of the franchise.
An aging Chinese immigrant is swept up in an insane adventure, where she alone can save the world by exploring other universes and other lives she’s led.
David Gordon Green’s sequel to Halloween, Halloween Kills, is an aggravating, unnecessary, and horribly misguided feature.
An injured Laurie Strode leads a vigilante mob to hunt down unstoppable killer Michael Myers and end his reign of terror once and for all.
For all its faults, Knives Out is a brisk and often engaging film that will provide audiences a moderately enjoyable ride.
Knives Out will appeal to fans of the detective mystery genre, fans of the astounding cast, or those who love Johnson’s subversively entertaining films.
An Acceptable Loss opens with a big, burning question mark that hooks you, but rather than answering its core moral question, it simplifies the conversation.
Halloween ends strongly, which always helps, but the picture lacks imagination in too many other areas to have any lasting impact.
In Halloween, Laurie Strode comes to her final confrontation with Michael Myers, the masked figure who has haunted her since she narrowly escaped his killing spree four decades ago.