Jamie Foxx
An LA vampire hunter has a week to come up with the cash to pay for his kid’s tuition and braces.
Ultimately it can’t sustain moments in the same way as the likes of Inside Out, but it’s certainly worth investing time into.
Half-baked and poorly executed, Project Power is a big-budget, overly ambitious feature that does nothing but let you down.
An ex-soldier, a teen and a cop collide in New Orleans as they hunt for the source behind a dangerous new pill that grants users temporary superpowers.
In Soul, a musician who has lost his passion for music is transported out of his body and must find his way back with the help of an infant soul learning about herself.
Just Mercy is a disappointing adaptation of an important real-life story, but it’s filled with great performances. Maria Lattila reviews.
More reviews fresh from this year’s London Film Festival, including Hope Gap, Just Mercy and Exorcist documentary Leap of Faith.
Destin Daniel Cretton returns with a new legal drama based on true events and stars Michael B. Jordan and Jamie Foxx.
Robin Hood seems to have a set of requirements to meet, and it gives the bare minimum when meeting them.
Sleepless is a thriller that occasionally seems passable and avoids some clichés, but still doesn’t quite achieve the level it could have.
In an era when Hollywood is running out of ideas more than any other previous point in its century-long history, the big studios’ desire to unnecessarily remake everything grows even more unwelcome. It’s not that good remakes can’t be made (after all, The Departed, The Fly and a Fistful of Dollars all exist), but modern audiences are so skeptical of remakes that they tend to stay away in droves. The remakes only seem to happen presumably so that the studios can maintain the copyright to the originals and continue to make heaps of money.