James Mangold
I’ll be honest: As much as I love music, I’ve not been very aware of…
In 1965, a young Bob Dylan shakes up his act on the folk music scene by going electric and siring rock as the voice of a generation.
Dial of Destiny is not perfect, with noticeable flaws, but it is also very entertaining, exciting, and well-acted.
Indiana Jones and the Dial of Destiny is an upcoming American action-adventure film starring Harrison Ford as archaeologist Indiana Jones.
In his second report from Film Fest 919, Josh Martin reviews Ford V Ferrari, Honey Boy and The Truth.
Come for the car races in Ford v Ferrari, and some fine performances by Matt Damon and Christian Bale, but don’t expect to take too much away from it.
American car designer Carroll Shelby and driver Ken Miles battle corporate interference to build a revolutionary race car for Ford and challenge Ferrari at the 24 Hours of Le Mans in 1966.
Secondary characters are often integral to the hero’s journey, and one of the best recent examples is Stephen Merchant’s Caliban in Logan.
Released in cinemas for one night only, Logan Noir is every bit as bloody, brutal and essential as its brightly coloured counterpart.
At the Alamo Drafthouse screening of Logan Noir, James Mangold, Hugh Jackman & Hutch Parker discussed the special edition of the film.
Logan serves up the classic Western anti-hero in the realm of a dystopia, spinning the myth around while also keeping its machismo intact.
There’s no living with, with a killing. There’s no going back from it. Right or wrong, it’s a brand, a brand that sticks.
Pain has always been at the core of Hugh Jackman’s Wolverine. X-Men, the franchise opener, bonded Logan and Anna Paquin’s Rogue as the loneliest of the lonely, she for her inability to physically touch others and he for his reluctance to emotionally connect. This dynamic carried throughout the original trilogy and received a wordless nod in Days of Future Past.