Jake Lacy
A Friend of the Family features some of the best performances and filmmaking on television this year, but it’s also a relentless nightmare to take in.
High Fidelity gives a whole lot of new meaning to Hornby’s novel while also honoring it at the same time.
Ode to Joy doesn’t really work as either an efficient comedy or drama (or even a bit of both), with the familiar beats and tropes lacking in any real thought.
Kent Jones’ Diane struggles to define itself as something more than an average, albeit thoughtful, indie film.