Jahi Di’Allo Winston

The film has a vibrant authenticity to it, and not just in the casting and locations — cinematographer Katelin Arizmendi gives Baltimore’s streets an oceanic sway and the conversations a realistic rhythm. And when we follow the Clique, engines rev, the riders lean back and lift, and we see them silhouetted against the sun, arms extended toward us, totally in the moment. Both Pug and Mouse talk about “going 12” like it’s the greatest sense of freedom you could achieve. It’s just you, the bike, and the road, and the only thing keeping you airborne is your innate talent and will to stay upright. The more expressionistic elements of Charm City Kings recall Barry Jenkins’ Moonlight, a film that similarly blends realistic characters and dialogue with neon lighting, Nicholas Britell’s otherworldly music, and emotionally motivated camera movements and editing. That’s not accidental — Jenkins, alongside Kirk Sullivan and Chris Boyd, developed the story for Charm City Kings, while Sherman Payne, a TV writer known for his work on Shameless and Scream, wrote the script. The result is a story soaked with realism and augmented by stylistic flourishes and a poignant, subversive orchestral score from Alex Somers.
CHARM CITY KINGS: A Powerful Black Coming-of-Age Story

Charm City Kings is an expressionistic, powerful look at a neglected community that gets little attention on-screen.

PROUD MARY: Bow Down Before Queen Taraji
PROUD MARY: Bow Down Before Queen Taraji

Proud Mary would be nothing special if it did not star Taraji P. Henson. But it does, and as a result it stands out like a beam of sunshine piercing the dull grey murk that is January at the movies.