Jacob Batalon
Let It Snow isn’t an overly ambitious film, but that doesn’t mean it’s not enjoyable.
Instead of living up to its Godard and Whedon-esque aspirations, Blood Fest shoots itself in the foot, delivering cliche after cliche in a formulaic, hopelessly grating package.
You can’t fault EVERY DAY for a lack of ambition – however, the film feels watered down by a breezy running time that doesn’t allow for a deeper exploration of the body swap conceit.