Italy
Luca Guadagnino’s Bones and All is a monumental statement on the beautiful powers of love bolstered by great performances.
And while nothing expressed here is groundbreaking, Futura is nonetheless a perfect, thoughtful time capsule of the age we’re currently in.
While Dumont’s France seems more interested in piling dramatic events on top of dramatic events, Seydoux is never less than masterful.
In The King of Laughter, Toni Servillo portrays iconic Italian actor and playwright Eduardo Scarpetta…
While not without its controversy, Pier Paolo Pasolini’s Salo, or the 120 Days of Sodom remains a ferocious work of art.
The D’Innocenzo Brothers’ latest film, Favolacce, is a suburban apocalypse that is bleak and confounding, for better and for worse.
In the latest Queerly Ever After, the focus is on My Big Gay Italian Wedding (2018), a gay rom-com set in the Italian countryside.
Hannibal Rising poses the question about what kinds of monsters we make of ourselves by settling for the aesthetics of political virtue.
The Truffle Hunters provides a unique view into a world and an industry many have little knowledge and understanding of, delivered with heart and passion.
From the Sarajevo Film Festival, Monique Vigneault spoke with director Martin Turk about his film Don’t Forget to Breath.
We Are Who We Are thankfully delivers on what it promises in an immersive coming of age drama from one of the greatest filmmakers of our generation.
Opening the historic 77th edition of the Venice Film Festival, Andrea Segre’s Molecole is a haunting meditation on virus-lockdown Venice.
Matteo Garrone’s latest fantasy Pinocchio offers a more realistic portrayal of the classic tale that still incorporates some escapist fantasy elements
After all the attention and commitment to the story, Waiting for the Barbarians leaves viewers without a solid and satisfying payoff.
Made in Italy is a fine film to cozy up to, as long as you can overlook the awkwardness and lack of narrative development it presents at times to audiences.