Ireland
Yorgos Lanthimos’ Kinds of Kindness is smart and funny, uncomfortable, moving, and confusing. It is also beautiful.
The Melbourne International Film Festival is in its 72nd year with a program of global features, shorts, documentaries, VR experiences, and classic movies.
At Canne’s 2024, Film Inquiry reviews Quentin Dupieux’s The Second Act (Le Deuxieme Acte), and Rungano Nyoni’s On Becoming a Guinea Fowl.
Film Inquiry spoke with Gary Clark, Composer of Flora and Son!
With Flora and Son, Carney is venturing toward more trendy mainstream territory again and yet stays within his most comfortable milieu.
Lofty in ambition yet flawed in realization, LOLA is nonetheless an intriguing cautionary tale experiment in lo-fi science-fiction.
A quiet, poignant, and moving documentary, The Deepest Breath is unforgettable.
Too often dry in its narrative construct, audiences will find little emotional investment in The Miracle Club.
When you go to see an Evil Dead movie you kind of have an idea of what you’re in for, and we get that, but Evil Dead Rise also gave us so much more.
Ultimately, God’s Creatures is a well made, well acted piece of filmmaking, if only it was able to tie together its elements a little better.
My Sailor, My Love is not quite a romance, but rather a slow examination of the wounds we inflict on each other and the difficulties of moving past wounds.
My Father’s Dragon, Cartoon Saloon’s direct-to-Netflix kids’ film, is unfortunately too loud and annoying to have an impact.
The Banshees of Inisherin is one of Martin McDonagh’s greatest and most assured efforts as a filmmaker yet.
Featuring incredible performances all-around, and some of the best writing you’re going to see this year, The Banshees of Inisherin not one to miss.
In our last report from the 2022 Heartland International Film Festival, Emily Wheeler reviews four more films!