Told from the stories of the real Ray Mendoza, this is the story of war. “Warfare” is not glamorous, it’s not cool, and it’s definitely not Hollywood.
The Card Counter, the latest film from writer/director Paul Schrader, is very much a companion piece to his earlier, existentialist efforts.
Begging to be experienced, discussed, and remembered, Mosul follows a former CIA counter-terrorism officer documenting a journalist in war-torn Iraq.
It’s received a fair amount of negative response for its allegiance to the cinematic canon, but The Yellow Birds is more than the sum of other films’ parts and makes for a worthwhile adventure.