interview
In this extensive interview, we spoke to Mohammed Naqvi about his riveting documentary The Accused: Damned or Devoted? about the difficulty of gaining access, comparisons between Rizvi and Trump and much more.
We spoke with writer/director Deborah Kampmeier about her latest film, Tape, finding the female experience in film, the #MeToo movement and more.
Andrew Young spoke with BACURAU directors Kleber Mendonça Filho & Juliano Dornelles, its brutality matched by its politicised satire and a dark and playful humour.
Shawn Glinis spoke with Joel Potrykus, filmmaker and film professor hailing from Michigan, about mental health, teaching film, distribution and more.
We sat down with director Levan Akin and star Levan Gelbakhiani of And Then We Danced and talked about dance, directing intimacy on screen, and more.
No stranger to an complex casting call, Annie Murtagh-Monks has a storied history in casting for Australian TV shows and films. We spoke with her about her work for The Heights.
Film Inquiry sat down with Suk Suk’s three main actors (Tai Bo, Ben Yuen and Patra Au) to talk about working on such a uniquely important project in Hong Kong cinema.
The director (Yeung) and cast of Suk Suk (Tai Bo, Ben Yuen, Patra Au) sat down with Film Inquiry to talk about the film when it was shown at the Berlin International Film Festival.
We were able to speak with Jonas Chernick, star of the upcoming sci-fi James vs. His Future Self, during the 2020 Glasgow Film Festival.
Prolific German documentarian Thomas Heise returns with Heimat is a Space in Time. We spoke with the director ahead of the film’s release.
We spoke with Pari director Siamak Etemadi about the tone of the film, its lead, and how he expects Western audiences will receive the film.
We were able to speak with Valerie Martinez, the writer and producer of Death of Nintendo.
We were able to talk with Veronica Chen at Sundance Film Festival, director of the thriller High Tide.
Kristy Strouse was able to catch a couple Slamdance 2020 films, Big Fur and Tahara, and both were wildly different, but equally compelling.