human rights
Thankfully there are films like Solitary to shed a light on the injustices that dehumanize our citizens and poison our justice system.
In this extensive interview, we spoke to Mohammed Naqvi about his riveting documentary The Accused: Damned or Devoted? about the difficulty of gaining access, comparisons between Rizvi and Trump and much more.
The London Human Rights Watch Film Festival will be presented from 12 to 20 March 2020, featuring empowering documentaries and dramas celebrating courageous people.
Dark Suns is utterly vital and haunting, chronicling a staggering history of crime and injustice that needs urgent attention from any higher-up with a conscience.
We highlight the 2019 Human Rights Watch Film Festival international line-up of films promising to offer critical insight into local and global human rights concerns.
On the Basis of Sex is not likely to plant the seed of determination in the next RBG, as they don’t need pop feminist representations of even the most laudable of figures.
With an unapologetic, feminine roar, City Of Joy takes on a wholly ignored genocide, racism, toxic masculinity and bloodthirsty greed, a rallying cry for survivors of violence and product consumers.
As the 2018 World Cup quickly approaches, The Workers Cup serves as an uncomfortable reminder of the humanity behind one of the world’s most beloved sporting spectacles.
In What Our Fathers Did: A Nazi Legacy two sons are brought together by a shared legacy, the legacy mentioned in the title. Both are the sons of high-ranking Nazi officers.
Ted 2 is exactly what you think it is. Seth MacFarlane is an entertainer who infuses all of his work with the same pop-culture heavy and juvenile abundant humour, from his roots in Family Guy to this, his third cinematic effort. The first Ted was a cinematic surprise, over-performing at the box office to become (at the time) the highest grossing R-Rated comedy of all time.
John Legend and Common’s powerful performance of Best Original Song nominee, “Glory,” and brave acceptance speech was one of the highlights of the Oscar ceremony last week. That song was a resonant soul/hip-hop combo that captured the atmosphere of its source film well: Ava DuVernay’s Selma, a historical drama about Martin Luther King and the Voting Rights Act of 1965.
In Elysium, the world has gone to shit. It is heavily polluted and poverty has risen to extremely high levels – the ghettos stretch as far as you can see. This is where the poor working class lives.